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2019

November (4)

Ed stands facing the camera in a blue jacket and yellow hat.
A detail photo of some fishing nets and lobster pots. There’s a bright orange buoy in the foreground.
A detail photo of some fishing nets and lobster pots.
A cream coloured highland cow with large horns faces the camera. There’s long shaggy hair covering it’s eyes.
Chris stands facing the camera in a bright red jacket.
Ed and Chris jumping in the air. The photo is an animation between two frames taken inches apart, giving the pair a 3d quality.
A panorama of a late afternoon beach. There’s tall grass across most of the beach, with a deep blue sky with dark clouds overhead.
A hand holding the remains of a crab’s claw
Ed walking towards the camera, approaching a small stream. It’s just after dawn and the sun is directly in front.
Chris walking away from the camera and towards Beinn Eighe, just at sunrise.
A photo of a valley in Torridon, just before sunrise. The sky is bright, but the land very dark still.
Looking up at Morrison’s gully in Beinn Eighe from below.
Looking up a snowy gully. Chris is mid way up the frame, crouched in the snow, looking at the camera.
Looking down a steep gully from up high. The base of the gully is filled with snow.
Chris and Ed pose for a photo on top of Beinn Eighe. They both have heavy jackets and helmets on.
A photo taken from mid-way up Beinn Eighe, pointing down. Chris is ahead, descending the mountain.
Panorama from side of Beinn Eighe. The landscape is brown with patches of green in a partially sunny day.
A panorama from the base of Beinn Eighe, looking north. In the right of the frame a small waterfall flows left. Chris is stood at the top of the waterfall in a bright red jacket.
Oj in the air, mid jump. He’s high up on a mountainside in the bright sun.
A brown and white goat with horns stares straight at the camera, with it’s mouth open. It’s stood on a branch of a tree above the photographer.
Ed sat on a large rock, overlooking a large and deep valley.
Several sheep graze on a grassy mountain side.
A hiker on a path with a wide sunny valley behind him.
Oj climbing a steep path on the left, with a panorama of the alps to the right of him. In the center of the frame is a large pipe emerging from the hillside.
A wide panorama from the Pointe d’Angolon
A yellow circle painted on a rock, with a smiling face in the middle.
A close photo of the trunk of a medium sized tree. A stripe of white-red-white stripe has been painted horizontally around the trunk.
A wide panorama of a valley with steep rocky sides.
Ed and Oj sat at a picnic bench half way up a valley. There’s a large red awning above them.
A photo taken from one side of a valley facing the other. The opposite face is deeply scarred, with patches of moss green on the upper faces.
Looking up a valley. A path ascends the valley on the right, with Oj walking half way up it.
Looking straight on to the Chapelle de Sales in bright sunlight.
Looking inside a small chapel. The inside is bare except for a few religious artefacts on a cement table.
A white sheep looks directly at the camera
Oj climbs deeply creased rocks under a deep blue sky.
Ed and Oj stand at the top of the Pointe de Salles looking north over the valley.
A panorama looking straight at the Pointe de Chardonnière
A photo looking down a valley in shadow as the sun sets. The right hand cliff is still lit brightly, in contrast to the dark blue rocks below.
A panorama taken from the valley of the Refuge de Sales
Ed holds a railing as he looks from one side of a steep valley to the other. The side he’s stood on has a near vertical wall of stone, with a path cut out in to it.

October (1)

A large mobile made from sheets of glass cut in to shapes of continents, forming a glass map of the world.
PIeces of concrete are suspended between lengths of steel in a regular grid pattern.
A sphere is formed by several large rings of steel intersecting each other. At each intersection is a clump of rough concrete.
A model globe made from red neon tubes.
A set of furniture against a white wall. The furniture is heavily burned and missing in places.
A large black sphere in the corner of a white room. The sphere has a complex detailed texture. The texture is made from iron filings attracted to the sphere.
A large black sphere in the corner of a white room. The sphere has a complex detailed texture. The texture is made from iron filings attracted to the sphere.
A close macro of the artwork, showing a detailed texture made from iron filings. The texture is made from iron filings attracted to the sphere.

September (2)

A semi-solid sphere of made from metal rods hangs against an orange backdrop.
A close photo of many connecting metal rods making a 3d geometric shape.
A semicircle of solid glass sits in a white wall. A hand is visible on the other side, magnified.
A fine mist of water drops in a dark room, lit from the side. A woman stands in front of the artwork.
A solid sphere of glass fills the right frame of the photo, set against black. There’s an image of a woman’s face magnified inside the glass.
A photographer wearing a hat composes a photo inside an orange foggy room.
A deep orange frame with no distinct features. Two bodies can just be seen in the background.
A black sphere made from many hexagons and pieces of mirror.
Two people hold hands in a room. A light shines on them from one side, casting a multi-coloured shadow of them against the wall.
A round shower of water is frozen in mid air by strobe lighting.
A round shower of water is frozen in mid air by strobe lighting.
A round shower of water is frozen in mid air by strobe lighting.
A round shower of water is frozen in mid air by strobe lighting.
A round shower of water is frozen in mid air by strobe lighting.
A woman stands in front of a white wall. A light shines on her from behind, casting a multi-coloured shadow on the wall.
A woman stands in front of a white wall. A light shines on her from behind, casting a multi-coloured shadow on the wall.
A woman stands in front of a white wall. A light shines on her from behind, casting a multi-coloured shadow on the wall.
Looking down a metallic tunnel to a light fixture at the end.
Small coloured plastic pieces join together to make geometric shapes.
Looking straight on to the elevator lobby in Tate Modern. The room is filled with orange light from a series of regularly spaced fluorescent lamps.
The shadow of Ed Horsford taking a photo with a large camera. His shadow is made up of multiple different colours from light yellow through to green and pink.
Fireworks in front of the Glastonbury flags.
A close photo of a light sculpture. It is made up of small light coloured cubes which are glowing shades of blue and pink.
Oj and Rogan wait in a crowd for a band to start.
Sunrise over glastonbury festival. The sun is directly ahead silhouetting people walking home.
Holding a Beavertown beer can in golden sunset by a group of tents.
Sunset over Glastonbury. There’s tents on the right and a plane on the left.
James and Oj face away from the camera under at night under a lit tree.
Several vintage TVs stacked together display abstract brightly coloured slogans.
A music fan sits on a friend’s shoulders and sways in the yellow smoky light in front of the stage.
A panorama of a crowd of people in front of the Pyramid stage.

June (5)

A hiker walks ahead of the camera silhouetted by afternoon sun ahead. There’s tufty grass all around and no clear path.
A small pond at the head of a stream lit by late afternoon sun and deep blue sky.
A hiker stands still looking at the camera holding bunches of sticks in each hand. He’s lit from behind by golden sunlight.
A figure is lit by glowing embers of a bbq at night. He’s wearing a head torch and looking to the sky. In the background, the last of the daylight is visible on the horizon.
A small tent and a tarp are set up next to each other at night. The camera is close to the ground looking at them, with stars visible in the sky. The left of the frame is bright orange from a nearby fire. There’s trails of sparks crossing the frame from the fire.
Oliver Wooderson stands on the ruin of a building wall looking in to the inside of the ruin.
A small brown wild pony looks at the camera as it stands near a small stream.
Two people at the top of a tor are jumping in the air.
A hiker with large rucksack walks in front of the camera on a grassy hill.
Two sheep on a grassy hill look at the camera in early evening light. The sky is tinged with blue and pink clouds.
Ed Horsford sat on the ground near a tarp looking away from the camera. He’s lit from one side.
Two grey storage buildings in a foggy grass covered field.
A panorama of rolling hills in Dartmoor in late evening sunlight. On the left a hiker (Oliver Wooderson) with large rucksack points downhill.
A panorama of a grassy hillside. In the centre a small tent and tarp can be seen set up.
A panorama taking on a foggy day from the side of a small stream. A hiker is ahead on the stream walking downhill.
A panorama in a small moss covered woodland. A hiker is walking downhill on the left.
Looking up a narrow alleyway filled with two flights of steps. The buildings on each side are painted in light pink pastel colours
Looking down a series of regular castle battlements. A large olive tree as tall as the battlements is visible on the right.
A peacock looks stood side on looks at the camera. It’s stood in the shade of a peach pastel coloured building.
Looking up at the ruins of the Carmo Convent. All that remains are the arches of the building, with blue sky where the ceiling would be.
An interior view of three windows in the Carmo Convent - the interior is dark but warmly lit by the three windows.
A square panorama looking down from high up to the streets of Lisbon. Down the centre of the frame a pedestrian street recedes. At the bottom of the frame is a large road.
A portrait photo of the entrance to a 4 storey building at the end of a wide alleyway. The building is painted in pastel-yellow, and has a pastel pink building to the left.
Looking up at an ornate street lamp amongst some tall trees on a sunny day.
Looking through a circular arch between two pillars to some trees beyond.
A view of two buildings in the Pena palace. the near building is covered in deep blue tiles with light stone trim. The far building is cylindrical and yellow.
A view of the open-air courtyard in the centre of Pena Palace. The courtyard has blue and white checkerboard tiles, and a large fountain in the shape of a shell in the center.
A photo of Ed Horsford looking out over a round balcony to the landscape of Sintra beyond
Looking on to an exterior wall in Pena Palace. The wall is fortified.
A close macro photo of some carvings in Pena Palace. The carvings look like worms / coral.
A view of one corner of the Castle of the Moors with fortified walls receding in to the distance.
Looking down on to one corner of the Moorish castle.
Exterior castle battlements covered in moss on a sunny day.
Looking from inside to a window looking out on a high vista. The interior is dark with dark wood window frame. Through the window the sky outside is bright. The window is made from two sets of 2x4 small glass frames. The bottom row is bright orange from an balcony outside.
Looking down at a parque brick floor. At the base of the image are the photographer’s feet. Above them is speckled bright dots of light.
Looking up at a tall ornate red building in Pena palace.
A photo of an exterior walkway near the National coach museum. On the right is a glass exterior wall of the building with strong reflections obscuring the inside. On the left are two wide concrete columns supporting the walkway.
A close detail shot of an aged carved marble pillar in the Torre de Belém. The column has a spiral shape with fine flowers carved at regular intervals.
Wide angle photo looking up from the central courtyard at the Torre de Belém. The walls of the courtyard loom on each side, with the main tower in front. The sky is bright blue with no clouds.
A photo of a small warning beacon on a pier. The beacon is painted in white and green stripes. Ed Horsford is stood on a ladder near the top, looking at the camera.
Looking up at two exterior sculptural concrete towers in the Champalimaud Foundation. The towers are light grey in an otherwise deep blue sky.
A photo taken in the courtyard of the Champalimaud Foundation. There’s a raised platform on the left, with Ed Horsford sat looking at the camera. On the right are two tall concrete towers set against a very deep blue sky.
A detail shot of one oval window of the Champalimaud Foundation. On the right the window is shown at an acute angle, with deep blue sky behind and tree ferns encroaching. In the background a plane can be seen flying away with a white contrail visible against the deep blue sky.
An interior photo of the top of a spiral staircase. The foot of the stairs reads ‘Salida Exit Sortie’
A model of a satellite is just visible in a dark gallery interior.
Looking up at the interior of the ceiling in the Jerónimos monastery.
An exterior view of the internal courtyard in the Jerónimos monastery. Several decorative carved pillars in light sandy stone can be seen in strong sunlight.
A bright colourful view of an alleyway. The alley ends in a large mosaic.
Looking straight on to a large control panel in Maat. The panel has a several columns of controls and dials and has a light grey-green surface colour.
Looking straight on in the interior of the Maat engine room. there’s a large boiler to the left and tall windows in the background. Black pipes descend from above.
Looking up at the ceiling of the Maat engine room. There’s various walkways crossing the room and tall thin glass windows going up to the roof.
An interior photo of some boilers in Maat. The room is filled with pipes of all sizes and is generally painted in bright primary colours.
A display case of various types of light bulb.
A photo taken from the exterior walkway of the new Maat gallery. On the right is the glass exterior wall of the gallery with the letters ‘maat’ visible in large white text. On the left the Tagus river and shore of Porto Brandão can be seen through a long cut away in the walkway.
A close cropped detail of the Maat ceiling. the ceiling is in a flowing curved form and covered in small tiles. A cloudless sky can be seen behind.
A close cropped detail of the Maat ceiling. the ceiling is in a flowing curved form and covered in small tiles. A cloudless sky can be seen behind.
18 small white arrows are painted on a stretch of tarmac. They all point the same way.
Looking straight on to a bus window. The interior of the window reveals the contents of a small working kitchen. The text ‘village’ is visible in white text in the middle of the window.
A round silver cone points directly at the camera. Iit is surrounded by a colourful mosaic print. It reflects some of the colours from the print.
Looking up at the exterior of a 5 story building. In the middle on the fourth floor one window and wall is knocked out. A group of fake birds are suspended in the sky as if in flight past the building.
Looking out from high up at the 25 de Abril Bridge and Village Underground.
A panorama in bright sunlight of the Champalimaud Foundation courtyard. On the right the large main wall of the building is visible with three large oval openings cut away.
A wide angle photo looking down an interior staircase to the front door of a building. The staircase is steep, and on either side the walls are covered to shoulder height with blue and white patterned tiles.
Looking up at skylight windows in a train station. The ceiling is cast concrete, and the lights are made from a grid of glass tiles.
Looking down a staircase in a train station. The base of the stairs has an irregular tiled pattern.
A large fountain in the centre of the frame on a sunny day. The fountain is made from a large circular cone shape, purple-red at the top, fading to red at the bottom.
Looking sideways at a road and bicycle path. In the background a white fence blocks the view, but is partially broken revealing some tall grass behind.
White steel beams in the shape of rectangles 50′ tall are spaced regularly 20′ appart. The camera looks up from the corner at the regular white grid this makes against the blue sky.
Looking up at a series of angled windows from a lookout.
Looking directly up the Torre Galp from just inside the structure. The structure is painted in a light green-blue colour and made of many steel beams. On the right a walkway arcs around the frame.
Looking straight-on to the Portugal pavilion. The pavilion has a large suspended roof that curves gently downwards in the centre.
Looking up a the corner of the roof of an angled building in late evening light.
A photo of the top of an exterior window. The wall has a small decorative tile pattern and a graphic of a small person is stuck on the top right of the window.
The camera looks through a window from outside to the interior of a room. In the centre of the room a large model of an octopus is suspended from the ceiling.
A group of tall marble statues are arranged in a tight grid and surrounded by tall fencing. They’re lit from one side by a streetlamp.

May (9)

Looking up an alleyway. The foreground is dark and in shadow, but the background is brightly lit by sun. The alley ends with a light coloured building covered in graffiti.
Looking directly down the central platform in a train station. On the left a train is waiting. The station is small and with a low roof.
Looking up at a streetlamp in a narrow street. It’s daylight, so the streetlamp isn’t on.
A macro photo of a set of doorbells on the wall. There are 6 white buttons on a dark green base.
A painting on a wall in the form of a comic strip. The main visible text starts ‘5 Outubro de 1910’.
Looking down on the red tile roofs of the Alfama neighbourhood
A photo of the walls and courtyard of a small house. The three walls are coloured in different shades of yellow - deep, mid, and light.
Looking up a narrow street in bright sunlight.
A funicular car descending a steep street in bright sunlight.
A macro photo of several cans of tuna stacked on a shelf. The cans have a vintage look and are labeled ‘Tricana’.
A panorama of Lisbon at night. The streets are filled with yellow and white lights and a suspension bridge can be seen in the distance.
Looking straight down an empty underground train.
A panorama of the neighbourhood of Alfama from a viewpoint. There’s a large cruise ship in the see directly in front.
A photo taken looking through a glass shop window to the display inside. The display has multiple model cable cars, but it’s hard to make them out because of many reflections from the windows. The photo has a rather abstract feel.
A close macro photo of some white wild flowers.
Oj smiling as he looks at the camera and holds some purple flowers.
A close photo of a white rose bush. The flowers are smaller than normal roses.
Oj walking ahead down a straight path. On the left are rows of wheat. On the right is a hedge of wild flowers.
A white and brown pony with hairy legs bends down and eats some grass.
Looking up at a series of concrete balconies on the upper levels of the Brunswick Centre.
Looking up at a series of concrete supports.
Looking up at the exterior of one of the stairwells of the Brunswick Centre.
A detail of one of the Brunswick Centre’s stairwells from the side.
A close shot of the roof of the Hayward gallery. The roof is covered in metal and glass pyramids to capture light.
A close detail photo of the upper square corner of one part of the National Theatre’s roof.
A close detail of a section of the National Theatre’s roof. In the foreground is the edge of a corner of concrete with wood effect. In the background another building roof can be seen slightly blurred.
Looking down on two concrete supports for the first floor terrace of the National Theatre. The floor is tiled and the photo is otherwise very grey.
Looking up at one of the entrances to the National Theatre. The photo is symmetrical - the corner leads to a stairwell at 45º, and the camera is at the bottom of the stairs.
A single protest sign held high in the air. It’s white with black text. The text reads ‘Please stop. You’re fucking everything up.’
A protest sign taped to the back of a woman in a black leather jacket. The sign looks like an emergency exit sign and reads “Exit; BREXIT”.
A sea of blue EU flags and protest signs in the crowd at the protest.
An inflatable gold star stuck in a tree.
A 3D lion and a unicorn made out of tissue paper on either side of a round sign - in the form of the Royal coat of arms. The sign reads “Let’s work together”.
A large protest sign high in the air. The sign shows the Article 50 petition on petition.parliament.uk and in large letters shows that it had more than 4.3 million signatures.
Looking down a dirt path with grass and bushes on either side in the late afternoon sun.
A wooden sign points the way along the South Downs way in late afternoon sunlight.
A grassy hill in late evening just before the light is gone.
A chalky path recedes in to the distance on a hillside. The sun is just setting on the horizon.
Twilight over the South Downs. The sky is clear with yellow and orange hues on the horizon.
Looking down a grassy hill with a farm in the distance. A faint chalky line can be seen on the ground - part of the Long Man of Wilmington.
A bivvy bag and rucksack sit in a hollow depression in the grass in the last of the evening light. The sky is dark blue and calm.
Small flowers blossom in the morning sun.
A solitary sheep looks towards the photographer. A wire fence divides the two.
A paraglider stands on the ground with a large sail inflated overhead.
Looking down a greenish-blue river, with rotting wooden posts in the foreground.
A small faded orange life raft moored on the side of the river Ouse.
A white horse extremely close to the camera with it’s nostrils covering half the frame.
A photo at sunrise of Ed Horsford sitting on a grassy hill with a cup in hand looking over a hill.
A narrow street in Getaria, with sunlight on one side.
Looking up at the exterior of a church window. The surround is made from brown bricks, and you can see the neighbouring building reflected in the window glass.
Looking up to a circular opening in a wooden roof.
Looking down to a street intersection.
Cracked white markings on tarmac. They’re in a regular grid pattern with arrows at one end.
The interior of the roof of Bilbao airport.
Looking across to the other side of a street in Getaria. In the central divider there is a red rowing boat.
A concrete sculpture at the side of the road. The sculpture resembles origami with lots of folded corners.
Inside the San Sebastián bus station. The loading bay is large and dark, with a circular sculpture in the middle, letting light in from above.
A small piece of beef sits on a plate green vinaigrette and a glass of beer in the background.
A plate of pintxos on a wooden bench next to a basket of bread, a glass of beer, and a glass of white wine. One pinxto is a slice of baguette with ham. The other is half of a sea urchin.
A plate of fried mushrooms with an unbroken egg yoke in the centre.
At night time, looking down the beach promenade to the city. There’s a mix of yellow sodium lamps with more modern white leds.
Looking directly down the Urumea river to the next bridge. There’s lots of green trees on each side of the bank, and the water is calm.
Just after sunset looking over the bay in San Sebastián.
A plate of food just before it gets eaten. A knife and fork are poised to cut in to the plate. The plate contains a single large piece of meat with crispy skin.
Looking down on a plate of food. There’s two fried pieces of cod’s chek, with a sprig of seaweed and green dressing drizzled about.
A close up of a bowl of food. The bowl contains a single scallop in a white cream sauce. There’s scattered fried seaweed on top.
A close up of a small bowl of food with a spoon in the side. The bowl contains two chunks of octopus in a white creamy sauce.
A sunset over the bay in San Sebastián. There’s trees and signs in the foreground causing many silhouettes to break the sunset.
Looking up at an ornate bandstand roof. The bandstand is oval in shape and the upper walls have stained glass.
Lynn stands in front of the Rezola cement factory. There’s a winding cycle path in front of her.
A close shot of the wall of the Rezola cement factory. The wall is made of grey corrugated steel with yellow trim.
A photo of two parts of a large iron sculpture by artist Eduardo Chillida. The sculptures sit on the coastline with the sea to the right. One piece dominates in the foreground, with another just visible in the background.
A close photo of a rusting iron sculpture by artist Eduardo Chillida. The sculpture splits in to three arms that curve outwards and then inwards.
Looking down on the beaches of San Sebastián from above.
A retro looking sign that reads ‘Cosmicar entrada’ with sci-fi looking graphics.
Bumper cars sit unused at the top of a mountain. In the background the city of San Sebastián can be seen below.
Looking straight on to a green doorway. The door is covered in stickers and graffiti.
Looking out the window to the stairwell of the Monte Igueldo funicular station.
A photo looking down on choppy sea water from above.
A sponge specimen of Geordia norvegica inside a glass vial.
Five glass microscope slides filled with various specimens. They each have cream labels and handwritten notes.
Small skeletons on display behind glass.
Small cork capped vials of bone fragments stacked end to end, row upon row.
A close up of a hornbill skull. The top of the beak has a sponge like quality.

February (2)

Ed in the distance looking down over a snow covered ridge.
Ed in far distance is a dark spec on an otherwise white mountain.
A wide photo of a snow covered mountain peak with other mountains in the far distance beyond a valley. At the top of the peak is a small figure.
Two boots with crampons on are in the foreground descending a steep snowy mountain. Ed can be seen a few meters ahead.
Ed looks back to the camera as he descends a steep snowy ridge.
Chris stands at the foot of a snowy coire with early morning sun ahead of him.
A long photo looking down a snowy mountain to the valley. The small figure of Chris is visible in the distance with both hands in the air waving to the camera.
Chris kneeling on a snowy plateau taking a photo.
A long telephoto photo of a snowy ridge in the distance. A few small brightly coloured figures can be seen on the ridge.
Chris descending a snowy plateau.
A portrait of Chris and Ed near the summit of Stob Bàn.
A wide photo looking down on Chris on a mostly brown hillside, with patches of snow here and there.
A panorama of a white mountainside, with occasional dark patch of rock.
Two hikers climb a somewhat steep snowy hillside. It’s overcast with flurries of snow around.
Ed stoops low to place a piece of climbing gear in a rockface.
Ed and a guide walk up a snowy mountain on an overcast day. The camera angle is near to the ground looking up at their backs. They’re both connected by a climbing rope.
Chris holds a large boulder of snow as he faces the camera.
Chris and our guide pull on a length of rope coming towards the camera. The rope runs around a pillar of snow making an anchor.
Two groups of climbers walk towards the horizon in snow. The sky is foggy / overcast and blending in with the ground. The climbers are all wearing brightly coloured clothing.
Ed and Chris pose together facing the camera on the edge of Aonach Mòr. Both are wearing green jackets and are tied together with a green climbing rope.
Looking down on Chris on the side of a snowy mountain.
A snowy mountainside and valley, with swirls of snow in the air.
Ed wearing a green softshell jacket with hood over his helmet on the side of a snowy mountain.

January (6)

Facing straight on Futuro House. It’s on the roof of a building on a cloudy night.
A detail of the exterior of Futuro house. There’s two oval windows emanating yellow light, and white light on a building near the house.
A detail of yellow padded seating inside Futuro house.
A detail of the center of the ceiling of Futuro house. There are three oval light shades suspended from the ceiling.
A panorama of the interior of Futuro house. There’s six yellow padded seats against the wall, and four white tulip chairs with yellow padded seats in the foreground.
A badly rusted metal sign attached to a tree trunk in a woodland. The letters ‘fire’ are just visible.
A small piece of china with a blue graphic sits in the stump of an old tree.
Two paths diverge in an open area near some woods.
A rectangular stony clearing in a brown outdoor area.
A light sandy path twists away from the camera. There’s tall trees in the distance and bright yellow flowers along the edge of the path.
Ed hiking uphill on a partially snow covered slope.
A photo of a rocky cliff partially covered in snow. There’s strong fog everywhere so the background and bottom of the cliff can’t be seen. There’s a shadow of a person at the tip of the cliff.
Ed looking down at a compass held precisely on a map.
Chris taking a photo looking down a sunny hillside. There’s dark clouds in the background.
A photo pointing down at moss and grasses. The moss is deep red in colour.
Chris hiking in a t-shirt on a brown grassy path. There’s partially snow covered hills in the distance.
A gloved hand holds a compass and map in front of the camera as a blurred figure walks ahead in the distance surrounded by snow and fog.
Ed drinking from a vacuum flask, with snowy mountainside in the distance. He’s wearing full climbing gear - helmet, harness, rucksack.
Chris and Ed stand at the top of Fiacaill ridge. The ground is mostly snowy with patches of brown.
Chris and our instructor walk along a path uphill. There’s small patches of snow in the distance, but the ground is otherwise brown and windswept.
A long photo of several hikers in the distance walking along a snowy path on a mountain side.
A photo taken facing along Fiacaill ridge. There’s climbers walking along various sections of it, with one in the foreground.
Chris and our instructor stand on a level section of Fiacaill ridge. There’s low cloud on the mountain, but some sunlight just breaking through.
Our instructor gets placing climbing equipment on the edge of an overhang on Fiacaill ridge.
Chris takes a big step out on to an exposed section of Fiacaill ridge. His axe is in a crack providing support.
A macro photo of climbing gear on our instructor’s harness. Chris is visible in the background.
Photo of the backs of Chris and our instructor. Our instructor is pointing downhill with a ski pole. There’s dramatic lighting in the sky - sunlight in the foreground and ominous dark clouds in the background. There are patches of snow on the ground.
Long shot of several ski mountaineers in a valley. They have skied to the end of the snow, and are now packing up their gear.
Facing straight on to a large orange sign in front of a cottage. The sign is written in large uppercase blue letters and reads ‘VIROL’.
A photo taken in a dark warehouse from below. There’s a single blue line of light drawn erratically in the center.
A photo taken in a dark warehouse from below. A green light is in the center in a cross shape.
A photo taken in a dark warehouse from above, looking down. There’s a single blue line of light snaking from the floor to the ceiling.
A crowd on Lambeth Bridge watch the New Years fireworks display over the London Eye. Many are holding phones in the air taking photos.
A phone is held taking a photo of fireworks in the distance.
Three phones are held in the air taking photos of fireworks in the distance.
A phone is held taking a photo of fireworks in the distance.
Four phones are held in the air taking photos and videos of fireworks in the distance.

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