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2020

December (2)

Looking through some green vines to the interior of a large greenhouse.
Two coloured geometric metal objects rest on a concrete floor.
Looking up to the roof of a structure. Only the beams of the room remain, with some branches growing upwards.
A bunch of slip-cast moulds on a table, several filled with liquid clay.
A group of freshly made slip-casts, drying on a table.
A detail shot of a metal staircase.
Looking through a void to an exposed brick wall, partially lit by sunlight.
A vintage television set is set on the floor in the lower right. A figure waves on the set. Behind the TV is a large metal cage.
A large neon sculpture comprised of multiple overlaid words. Only some words are lit up.
A large neon sculpture comprised of multiple overlaid words. All parts are lit up.
A large neon sculpture comprised of multiple overlaid words. The word ‘nature’ is prominently lit.
A large neon sculpture comprised of multiple overlaid words. The photo is taken from the side.
Two vintage television monitors are stacked vertically in a dark room, each showing a bald man’s head. The same head is projected on the wall behind them.
Two wax casts of a male head are suspended on either end of a mobile, in front of a dark background. A light from one side projects a shadow of another head on a nearby white sheet.
A video still of two hands manipulating a deck of cards. The hands are a luminous green, and the cards are a pink / magenta colour.

September (2)

Ed facing away from the camera just before sunrise. He’s got a bright backpack on.
A panorama taken from midway up Snowdon before sunrise. The sky is lightening, but the landscape is still dark.
The jagged face of snowdon before sunrise. The mountain has a light dusting of snow on the top.
A sunrise photo taken from midway up Snowdon, facing the sun. There’s a still lake on the bottom, reflecting some of the sunrise.
A panorama of the bowl of Snowdon taken just after sunrise. The right side of the mountain is bathed in orange sunlight, whilst the bowl and left are still in shadow.
The peak of Ylliwedd seen in the distance in shadow.
A ridge leads from the left to the right from Snowdon to the peak of Y Lliwedd.
The summit of snowdon seen from just below. The summit is in shadow with a light dusting of snow.
Ed looking out over lake at dawn.
Ed walks along a rocky crest.
Ed and Chris pose on the other side of a small pond with arms outstretched. The pond is frozen with crystals extending over the surface.
A style on a mountainside at dawn.
Chris crosses a series of tall rocks pointing straight up in the air like crystals.
A soft photo of some jagged rocks.
A close photo of the edge of a jagged and sharp rock at the top of Glyder Fawr.
Chris reaches up to a large cantilevered overhanging him.
Chris descends a gently sloping hillside covered in large frost-covered boulders.

August (2)

Four vertical panels are side by side in the dark. They’re light from behind with bright neon colours, projected with shadows of birdcages.
A birdcage is hung outside at night with bright green and red leds just behind it. In the foreground the shadows and light are projected on a screen.
Feathers spin quickly at night. They’re lit from below, and look almost like smoke.
Orange streaks of light in a dark woodland.
The frame is filled with circles of light in an arc pattern. The colours vary from deep oranges to light lilac.
Durham Cathedral at night, shot from the opposite bank of the river. The trees below are full of white mist.
A neon sign with the word ‘Lumier’ in blue, surrounded by red neon.
Orange balls of light hand suspended from darkness
The vast hall of Durham Cathedral at night. The hall is filled at various levels by warm hanging lights. On closer inspection, the lights are made from white vests lit from within.
Pairs of brightly coloured lights in the shape of shoes dangle from a line suspended between two rows of houses.
A large cylindrical light projects abstract patterns outwards on to the surrounding walls
A projector projects repeating patterns on to the trees on a far riverbank.
A projector projects repeating patterns on to the trees on a far riverbank.
A projector projects repeating patterns on to the trees on a far riverbank.
Ed jumping in mid-air. He’s facing sideways.
A sheep looks directly at the camera.
A lone sheep stands on the edge of a ledge looking at the camera.
A panorama of Ribblehead Viaduct from a distance.
Looking down at a limestone pavement in Whernside. The limestone is severely eroded and filled with grass in between.
Chris stood crouched just off path taking a photo of a magenta foxglove.
An aged wooden sign on a fence says ‘No right of way’ - it’s also covered in chicken wire.
A dry stone wall crosses the frame, with green fields in the background.
The face of Malham Cove as seen from a distance on a sunny day.
A vertical panorama from the side of Malham Cove.
A vertical panorama from the side of Malham Cove. A large rock face looms over Chris.

July (2)

Ed stands alone at sunrise looking out over the golden hills.
A footpath sign points from right to left, marking the summit of Whernside, 1.75 miles away.
Two shoots of magenta foxgloves in full bloom.
A small tarn in an otherwise featureless landscape.
A stone wall recedes up and in to the distance. Chris stands at the far end looking out over one side.
A close photo of the top row of stones of a stone all. The stones all lean to one side. In the background the sun is just setting.
Chris in silhouette against an empty hillside, facing the sun as it sets.
Ed and Chris stand in silhouette towards a very right and golden sunset.
Ed and Chris sit on long grass in late golden sunset.
Ed and Chris stand still in the dark next to their tents. Each tent glows slightly from within.
Dawn over Ingleborough
Sunrise over Whernside. Chris stands in the foreground in silhouette, taking a photo of the sun.
Ed jumping in the air on the summit of Scafell Pike.
A small stream comes from the distance and under the camera. The hillside is green and sunny.
A small tarn on the approach to Scafell Pike.
Facing straight on to a wooden box with a large sign in uppercase that reads: “Stretcher box”.
Looking up an ominous rock formation near Scafell Pike
Looking down a long green valley. A stone path winds from the right.
A small crevasse in the hillside, with a stream running through the middle.
A dirt path with some steps winds up a dark green moss and grass covered hill, leading to a large rock formation in the distance.

January (3)

The Glenfinnan viaduct seen from the side.
A small wooden shelter on a snowy mountainside with deep blue sky.
A snowy cornice seen from the side.
Two climbing bags lean against each other - deserted on a snowy plateau.
A lone cross country skier on an otherwise flat and snowy plateau.
Looking towards the Ben Nevis. In the foreground, the CMD arete can be seen snaking down and across the frame.
Looking far south over the horizon from Aonach Mòr. There’s a low cloud inversion, so just the tops of various mountains can be seen.
A high zoom photo looking towards a section of the CMD arete on a sunny day. Tiny figures can be seen descending it.
A panorama taken from Aonach Mòr looking towards Ben Nevis. The sky is sunny and deep blue, and there’s a cloud inversion, so the ground isn’t visible.
Looking side on to a small boat on stilts out of water.
Looking across a wide lake on a grey day. In the distance is a small industrial boat. The water has regular horizontal dark bands - like a barcode - caused by ripples from a passing boat.
Three sets of footprints rise out from the snow. They’re compressed bits of snow, and the surrounding snow has eroded away.
Ed climbing a snowy and grassy mountainside. In the far distance the brown base of the valley can be seen with a river running through the middle.
Ed ascending towards the camera. There’s several large boulders partially covered in snow to the right.
A portrait photo of Chris and Ed on top of a snowy mountain, with several other snowy summits visible behind.
Ed far in the distance facing the camera. He’s waving his axe over his head at the camera.
A low contrast view of several snowy ridges.
Chris walking ahead up a snowy mountain - there’s low visibility and a few flakes of snow in the air.
A snowy ridge recedes in to the distance. There’s very little visibility so it’s hard to see where the sky and ground connect.
Chris walking ahead of camera, with several snowy mountains ahead of him.
Chris walking along the Devil’s ridge towards the camera. He’s on one side of a sharp snowy ridge.
Chris descending in to the bowl of the Ring of Steall. It’s later in the day and the sun is low in the sky. The bowl is already in shadow. There’s a small windy stream at the base of the bowl.
A panorama taken from the bowl of the Ring of Steall at dusk. The sky is still bright with dramatic clouds, but the mountains and ground around are getting dark.
Chris a way ahead descending a snowy mountain after dusk.
Chris crossing a rope bridge over a river, coming towards the camera. It’s pitch black, and he’s got a headtorch to lead the way.
looking down a snowy hill with low grey clouds. Ed is off to one side walking up towards the camera.
Ed climbing up the side of the Ledge route in very white conditions
A wide shot at dusk looking up a snowy hill. A figure (Ed) in the distance can be seen waving an ice axe.
Chris before base of Ben Nevis. He’s got a climbing rope on and axe on the back of his bag, and he’s using a walking pole to point up at the summit.
Some large rocky hills near Ben Nevis. They’re covered in snow and ice, and you can just make out small coloured figures dotted around them - people climbing the ice.
The Improbable Pedestal at the start of the ledge route. A tall, top-heavy rock stood apart from the mountainside.
A group of climbers on hands and feet climbing the ledge route.
The emergency hut at the top of Ben Nevis. It’s covered in lots of snow, so only a patch of the top of the doorway is visible. There’s low visibility so it looks somewhat ghostly.
Chris at the start of the CMD Arete, going down. It’s very snowy with low visibility. The ridge is only just visible.
Chris on the CMD Arete. It’s a near whiteout so you can only just see the rock-face in the middle.

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